The Civic Media Center is holding its second Beatles Video party, this time in conjunction with the 40th anniversary of Paul McCartney's landmark masterpiece, "Band On the Run." We will be showing videos from that album from an extensive personal collection, plus fantastic and rare Beatles videos, and a delightful display of personal Beatles and Wings memorabilia will be on display. Come on out and celebrate great music and a great vibe with great people. Donations encouraged.
Looking for the perfect local gifts? This is the place to be! Amazing local vendors including Woody Blue and Karen Eberly will be here with their art work, crafts, jewelry and more! There will be a wide variety of prices so you can find something for anyone.
Let's make this gift buying season a local only affair!
On December 4, 2013, SPOHP will host a student panel at 6 p.m. at the Civic Media Center in downtown Gainesville entitled, “SPOHP in the Delta: 6th Annual Student Panel.” This annual event highlights student research initiatives resulting from SPOHP’s yearly research trip to the Mississippi Delta. Panelists will give a multimedia presentation and share insights after interviewing veterans of the civil rights movement, labor leaders, contemporary activists, and scholars living in the Delta region.
This event is co-sponsored by SPOHP and the Civic Media Center.
Memphis, Spring 1968 marked the dramatic climax of the Civil Rights movement. "At the River I Stand" skillfully reconstructs the two eventful months that transformed a strike by Memphis sanitation worker into a national conflagration, and disentangles the complex historical forces that came together with the inevitability of tragedy at the death of Dr. Martin Luther King, Jr.
This 58-minute documentary brings into sharp relief issues that have only become more urgent in the intervening years: the connection between economic and civil rights, debates over strategies for change, the demand for full inclusion of African Americans in American life and the fight for dignity for public employees and all working people.
In the 1960s, Memphis' 1,300 sanitation workers formed the lowest caste of a deeply racist society, earning so little they qualified for welfare. In the film, retired workers recall their fear about taking on the entire white power structure when they struck for higher wages and union recognition.
But local civil rights leaders and the Black community soon realized the strike was part of the struggle for economic justice for all African Americans. Through stirring historical footage we see the community mobilizing behind the strikers, organizing mass demonstrations and an Easter boycott of downtown businesses. The national leadership of AFSCME put the international union's full resources behind the strike. One day, a placard appeared on the picket lines which in its radical simplicity summed up the meaning of the strike: "I am a man."
In March, Martin Luther King, Jr. came to Memphis as part of his Poor People's Campaign to expand the civil rights agenda to the economy. The film recreates the controversies between King's advisors, local leaders, and younger militants - debates that led to open conflict. When young hotheads turned King's protest march into a violent confrontation with the brutal Memphis policy, King left.
King and the nation realized his leadership and nonviolent strategy had been threatened. King felt obliged to return to Memphis to resume a nonviolent march despite the by-now feverish racial tensions. The film captures the deep sense of foreboding that pervaded King's final "I have been to the mountaintop" speech. The next day, April 4, 1968, he was assassinated.
Four days later, thousands from Memphis and around the country rallied to pull off King's nonviolent march. The city council crumbled and granted most of the strikers' demands. Those 1,300 sanitation workers had shown they could successfully challenge the entrenched economic structure of the South.
Endemic inner-city poverty, attempts to roll back gains won by public employees, and the growing gap between the rich and the rest of us make clear that the issues Martin Luther King, Jr. raised in his last days have yet to be addressed. "At the River I Stand" succeeds in showing that the causes of (and possibly the solutions to) our present racial quandary may well be found in what happened in Memphis. Its riveting portrait of the grit and determination of ordinary people will inspire viewers to re-dedicate themselves to racial and economic justice